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Straight talk: Pedalphilia

I think it’s time to shed some light on an epidemic that is sweeping the world by storm, turning good hard working people into ravenous PEDALPHILES.

Much more insidious yet some might say just as addictive as crack cocaine, this addiction can start with a seemingly harmless gateway effect, such as a Boss DS-1, and before you know it you’ve converted most if not all of your liquid funds into an endless array of sonic merrymakers. From the mundane to the wildly unnecessary, these little boxes of joy can worm their way into the hearts of even the most “plug straight into yer amp” purists who now all of a sudden want to be the next Kevin Shields.

Full disclosure: I MYSELF SUFFER FROM THIS TERRIBLE AFFLICTION.

But rather then go the autobiographical route, let’s instead consider the case of a young man, we’ll call him G, though he prefers to be referred to as ‘Lil Moses.’ Once a most prolific and creative writer, G now finds himself uncontrollably slavering over guitar pedals. He sends me multiple emails a day describing pedals for sale all over the net.

Exhibit A – witness the most recent post from his blog:

Not to get everyone too excited….but I have a pedalboard. The Pedaltrain Jr. Not so big, not so small. Enough for a Crybaby, my fuzz/overdrive and a booster, tremolo and a delay–and maybe a beer cozy?

And I realized something hunting down delays the other day that I thought was amazing and important to share.

You know, I’m not a delay type person. I just want a little slap back for solos and some ambient stuff that is light. But Lordy did I try a lot of them! Did you know that there’s a used Fulltone Tape Echo at Guitar Center for about $900. It sounded amazing. But not practical at all if I’m also going to have a beer cozy on the floor when I gig.

That is the sound. And if you can’t get analog tape because its not practical to gig with? Who emulates it the best? I came across the Strymon El Capistan and it does sound oh-so-gooey and good.

From what I understand, the thing that separates a good tape emulator from a bad one is how close it can mimic the residue sound of the analog tape with “wow and flutter” which is almost like a modulation of the trailing delayed notes that you hear in real tape. Some sound real good like El Capistan. Some use a chorus type modulation or vibrato, like Electro Harmonix, and that sounds odd. Even the Empress Vintage Mod thing or Wampler, not so good for my ears.

The thing about tape echoes, is that they are so ethereal and gritty at the same time. I don’t know how else to describe it, but if sexual asphyxiation had a sound–no, not the muffled sound, but what the experience seeks to achieve–this would be it, aurally.

And i want that sound. Oh do I ever. I don’t want the sexual asphyxiation so much.

And after trying out different pedals, and not really being sold on any, I realized I’ve got this Bigsby on the guitar that I rarely use. But that is the sound! That light tremolo, slightly pressing it gives the sound of the modulated tape “wow and flutter” better than anything. (its still early in the game, but I think I’m right about this).

How about that! So I can pick up that TC Electronics Flashback Delay for now, because it sounds fine for the slap back and light ambient stuff, and use the Bigsby for the “wow and flutter.”

Why the Flashback? Its sounds as good as others for subtle use, but also has a looper on it! Like 30 seconds, so that if I hammer it out, I can nail a live situation with Fred where I put down one JB guitar line and play the other on top.

Yes.

And then I can squash this shopping spree that’s taken over my mind..this is what happens with free time in the Fall. I pedal shop instead of actually practicing to get the sound I need. That, and I watch John Boorman’s Excalibur at least twice.

Oh, I want this:

http://youtu.be/YxAnchmi5ww

And thousands more

Best, Me.

Please, if you or someone you know is on this road to nowhere, let them know that with herculean self control and possibly lots of therapy, they too can lead a (relatively) pedal free lifestyle. As a recovering pedalphile, I am now limiting myself to only 5 pedals at a time.

Or on the other hand, if you’d rather say YOLO, go feed the demon with the NYC pedalphile contingent at the CMJ Stompbox Exhibit at Main Drag in Brooklyn Oct.19-20th.

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David Lynch Remixes Nigel Godrich’s Ultraísta

Superstar producer Nigel Godrich, most well known for his work with Radiohead, has a band of his own called Ultraísta. David Lynch gave their track “Strange Formula” a moody remix. Check out the accompanying psychedelic video via nowness.com.

Ultraísta is comprised of Godrich, singer Laura Bettinson, and Joey Waronker, who has done session drumming for heavyweights like Beck and the Smashing Pumpkins. Their self-titled album will be out Oct. 2nd on Temporary Residence and they will be playing at Le Poisson Rouge NYC on Oct. 24th.

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Brian Eno Announces New Ambient Solo Album

 

Brian Eno will release his first proper ambient solo venture in seven years this November. Following in the sonic vein of earlier aural massages he calls “Music For Thinking” – which includes Music For Airports, Music For Films, Apollo: Atmospheres and Soundtracks, Discreet Music, and Neroli – Eno’s new piece has been dubbed LUX. This four track journey is “a 75 minute composition in 12 sections that evolved from a work currently housed in the Great Gallery of the Palace of Venaria in Turin, Italy.” LUX will be available Nov.13th on Warp Records.

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Desertshore / Final Report NOT a Throbbing Gristle album

ImageIndustrial Records has released info (and teaser trailers, below) for what they’re calling “a unique collaboration by Chris Carter, Peter ‘Sleazy’ Christopherson and Cosey Fanni Tutti.”

Throbbing Gristle “ceased to exist” when Genesis P. Orridge capriciously quit the band during their European comeback tour in 2010. The remaining three members decided to continue under the name XTG, since, according to Sleazy, it was not “possible for any changed band or variation of personnel to perform live as Throbbing Gristle without all the original four of us on stage.” The forthcoming double album Desertshore / Final Report is thus the result of ‘XTG’ sessions.

First conceived by Peter ‘Sleazy’ Christopherson, who died on November 25th, 2010, Desertshore is a ‘re-imagined’ cover version of Nico’s album of the same name. It was completed by Chris Carter and Cosey Fanni Tutti, and features guest vocalists Gaspar Noé, Blixa Bargeld, Marc Almond, Sasha Grey, and Antony Hegarty.

The Final Report is the companion album, culled from 2009/2010 sessions by the trio. The double album will be available November 26th, the day after the second anniversary of Sleazy’s death.

Apparently, the announcement that “Throbbing Gristle” is releasing these new albums, as reported by Pitchfork, angered Genesis P. Orridge, sparking a public argument on twitter. Chris Carter makes it clear that these albums are NOT being released as Throbbing Gristle.

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Trent Reznor Reveals New How To Destroy Angels Info

ImageTrent Reznor released information regarding a new EP from his post-NIN project How To Destroy Angels via his facebook today. The band consists of his wife, Mariqueen Maandig, Rob Sheriden, and Atticus Ross, with whom Reznor worked on the scores for both The Social Network and The Girl With The Dragon TattooHere is the message from the man himself:

Sorry for the radio silence lately… I’ve been busy! There’s a number of things to be revealed over the coming months. Some you may expect, others you may not. Patience, my friends.

Today’s news is about my band How To Destroy Angels. I’m happy to announce we’ve formally partnered with Columbia Records for our next series of releases. The first of these will be available in November and it’s called An Omen EP. As you may have guessed, it’s an EP. It contains six songs, some of which are from our full-length LP which is coming early next year.
We are making some videos, we are going to be performing live, and that’s all the details I have for now on those matters.

Regarding our decision to sign with Columbia, we’ve really spent a long time thinking about things and it makes sense for a lot of reasons, including a chance to work with our old friend Mark Williams. There’s a much more granular and rambling answer I could give (and likely will in an interview someplace) but it really comes down to us experimenting and trying new things to see what best serves our needs. Complete independent releasing has its great points but also comes with shortcomings.We are all very excited about you checking out the new stuff. Wish I could tell you more, but you know how this works… it would take all the fun out of it!

Stay tuned!

If you missed it back in 2010, grab HTDA’s first EP FREE at howtodestroyangels.com
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Johnny Greenwood Scored PT Anderson’s The Master

Image

Johnny Greenwood, sometimes known as the guitarist for a little band called Radiohead, has provided the score to Paul Thomas Anderson’s much anticipated new film The Master. But Greenwood isn’t new to writing for film or orchestra; he scored Bodysong in 2003, premiered the string piece Popcorn Superhet Receiver in the US as part of the Wordless Music Series in 2008, and has released a collaborative album with Krystoff Penderecki. He also wrote the score for PT Anderson’s highly acclaimed masterpiece There Will Be BloodRead a recent interview with Johnny at NPR, check out an audio clip from The Master below, or stream the full soundtrack at SpotifyThe Master opens tomorrow 9/21. 

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Portishead’s Adrian Utley Shows Off Synths

Some videos from Source Distribution interviewing Adrian Utley of Portishead fame have been making their way around the web. In the first clip Source gets Utley’s first reactions to the Arturia MiniBrute, and in the second Adrian gives a tour of his personal home studio synth collection. Analog synth porn below!

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iOS 6 Update Available Now

Apple fanatics have been reportedly lining up in front of the Apple Store NY since LAST THURSDAY for the chance to buy the new iPhone 5, and I’m sure there are others who have been waiting just as fervently to download the new iOS.

If you are an Apple early adopting fiend, and you haven’t already updated your iDevice to iOS 6 (available today at last!) WHAT THE HELL ARE YOU DOING READING THIS POST GO DOWNLOAD IT RIGHT THIS MOMENT! 

You can do this either by plugging in to your computer and clicking Update in iTunes or simply go to Settings>General>Software Update on your iDevice (you will need 2.5 GB of free space and WIFI access though). My advice is, as always, BACK UP FIRST JUST IN CASE! 

Or you could just wait around and see what people say is wrong with it (the inevitable iOS6pocalypse???).

Touting over 200 new features, iOS 6 should be more than enough to placate those who don’t think upgrading to the iPhone 5 is necessary. Check out what’s new over at Apple.

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Dinosaur Jr. Release “I Bet On Sky”

Today Dinosaur Jr. drop their newest fuzz bomb “I Bet On Sky,” via Jajaguwar. This is their tenth studio album and the third since reforming in 2005. For anyone who craves Jazzmaster and Big Muff blistering guitar solos in their earhole this should be a no-brainer. Stream it over at The Independent, buy it on vinyl or CD from the DinoStore if you’re too lazy to go support your local record shop, or digitally online everywhere.

The video below is for the first single “Watch the Corners” starring Tim Heidecker of Tim & Eric Awesome Show, Great Job!