World-renowned Dutch soft-synth designer Rob Papen has two LIMITED EDITION software bundles available UNTIL 3/31/13 ONLY, so get on this deal QUICK!!!
The EDM Synth Bundle contains 3 virtual instruments to shake that dance-floor. Blade is an additive synthesis engine loaded with sound sculpting effects and a programmable XY control pad. The schwanky graphical interface is clean, futuristic, and has a bad-ass blade up top! What more do you need to make cutting edge sounds? (ugh sorry couldn’t resist pun). Anyway, you actually need a lot more, and thankfully, it’s all here. Papen has packed Blade full of so many options, it’s a veritable sonic swiss army knife. At the core is what Papen has dubbed the Harmolator – an oscillator system that allows precise, varied control of harmonic content and timbre. Next there is a mangling section that offers 21 distortion and 14 filter options. Then there is a sequencable arpeggiator, where each pulsing note’s pitch and velocity can be finely tailored. The centerpiece of Blade is the aforementioned XY control, which makes it possible to inject that oh so important human element. You can record modulation, then loop it backwards and forward, adjust and sync speed.
Common to both bundles are Predator and Punch. Predator is a classic triple oscillator synth with filters, LFO modulation, arpeggiator, and a whole slew of effects. Also included is the PredatorFX plug-in, which allows you to use all these functions as a sound processor in your DAW. Punch is a drum synth/sampler/groove-machine. You can mix and match preset sounds or add your own to create a custom kit. Tweak, filter, add envelopes, LFO’s, and modulation to each individual sound. Trigger built-in key-mapped sequences, all programmable on a grid similar to the arpeggiator found in Papen’s other instruments.
Finally, SubBoomBass replaces Blade in the Urban Synth Bundle. As the name clearly states, this synth brings some serious sub to the equation! SubBoomBass features dual oscillators (each with sub-oscillation), pre-filter distortion, two filter stages, amplitude, envelope, LFO, a mappable modulation matrix, and of course, Papen’s full range of FX (if your bass isn’t quite phat enough). There are several different play-modes: mono, legato, poly, and seq. This brings us to the sequencer that seems to be the running theme of Papen’s suites. The 16-step pattern sequencer offers detailed control of each note, as well as “swing” and “slide”, to make your sub more slanky. This is perfect for building groovy bass-lines or rhythmic parts with some of the included sub-tuned percussion sounds.
The bottom line is all four of these instruments are seriously function deep. The sonic possibilities go way beyond my simple descriptions, but the way they are laid out makes everything intuitive. You can easily play around for hours just trying out different combinations, or start with the already great sounding presets and quickly fine tune them to your taste.