The Next Big Thing Is A Small Thing: Arturia Microbrute

Arturia, Microbrute, Analog Synth
Microbrute is Arturia’s even smaller followup to the massive sounding Minibrute.
Squeezing the same 100% analog electronics into a more compact body, Microbrute gets rid of a few knobs and faders in favor of a patchable modulation matrix and a new step-sequencer. Read the press release for all the details, then check out sexy pictures and videos:
Arturia’s award-winning MiniBrute Analog Synthesizer rapidly reset the price/performance ratio benchmark when soaring through the subtractive synthesis sound barrier last year to much critical acclaim and subsequent success. Today it is joined by its equally as big- sounding little brother, the MicroBrute Analog Synthesizer. Putting all the basic building blocks of an analogue synth classic into an even more compact and bijou package that’s pure hand-ons fun at an affordable price, the MicroBrute is guaranteed to bring big smiles to go with those big sounds!
But the MicroBrute Analog Synthesizer is actually anything but basic. For starters, just like its big brother, the OSCILLATOR that beats at its musical heart features SAW, TRIANGLE, and SQUARE waveforms that are all mixable to help shape the resulting sound without the limitations imposed by comparable contemporary and vintage synths alike. Additionally, the new Overtone oscillator generates additional harmonic content, ranging from one octave down to a fifth above the base OSCILLATOR pitch, while the Sub > Fifth control can continuously sweep spectrum. Moreover, Metalizer adds complex harmonics to the TRIANGLE waveform for creating harsh, harmonically-rich sounds, while Ultrasaw adds a lively and bright ensemble effect to the SAWTOOTH waveform — perfect for crafting sounds suited to dance anthems. And let’s not forget the all-important Pulse Width control for creating nasal-thin tones or rich square sounds. Simply speaking, never before has such a small, single-oscillator synth sounded so big!
Of course, filtering helps shape any analogue synth’s sound — be it big or small, and here the MicroBrute does not disappoint. Indeed, its distinctive-sounding Steiner-Parker FILTER plays a big part in helping give the MicroBrute a unique sound — again, just like its big brother. This filter design dates back to the Steiner-Parker Synthacon, an analogue monosynth built by the namesake Salt Lake City-based synth manufacturer between 1975 and 1979. Its HP (high-pass), BP (bandpass), and LP (lowpass) modes make for far more filtering flexibility than that found in synths many times the price! And that’s before factoring Arturia’s acclaimed Brute FactorTM into the equation, adding anything from subtle overdrive to full-blown intermodulation havoc — choose your settings, and let the fun begin!
Speaking of modulation, the easily accessible, front-panel mounted MOD MATRIX is a Volt per Octave-standard patchable system of modulation routing with ENV (envelope) out, LFO (low frequency oscillator) out, Ultrasaw modulator in, PWM (pulse width modulation) in, Metal (Metalizer) in, Overtone/Sub modulator in, Filter cutoff in, and Pitch in — meaning more in-depth, inbuilt sound-sculpting possibilities, as well as allowing Arturia’s own MicroBrute to be easily brought into the interfacing mix, or mixing and matching with third-party modular synth systems for far-out sonic explorations! Dig as deep as you need or dare to go with the MicroBrute!
Similarly, the new eight-Pattern step SEQUENCER is an almost endless source of inspiration and rhythmic creativity — step input notes and rests to create storable sequences that can be played back and switched between on the fly at a variable Rate or synchronised to external MIDI clock. Meanwhile, MIDI, USB, and CV GATE connectivity, of course, combine to ensure that the MicroBrute is ready and willing to talk to the outside electronic musical instrument world wherever it may find itself. It’s even blessed with an external audio Input with Input Level control, so why not use it to process whatever you feel like sticking into its 1/4-inch socket — within reason, of course!
With a space-saving 25-note mini-keyboard and weighing in at only 1.75kg, the MicroBrute Analog Synthesizer is truly compact and bijou, but punches well above its weight with a rip-roaring analogue sound spanning woofer-flapping bass, screaming leads, ear-opening effects, wave-folded growls, punchy drum sounds galore, and much in-between and beyond. Pick one up from an authorised Arturia dealer today!
Arturia, Microbrute, Analog SynthArturia, Microbrute, Analog Synth Arturia, Microbrute, Analog Synth

Arturia Minibrute [REVIEW]

Arturia, Minibrute, analog synth

If deep throbbing analog synth bass is what you crave, look no further than Arturia’s Minibrute.

That little thing? Well I tell you, the cliche is true – it’s not the size, but how you use it. Minibrute proves that underneath its small exterior lies a sonic girth that can do some seriously brutal aural damage.

The thickness comes from an all analog signal path, pushing gooey warm waves into your earhole. This 25 note keyboard is monophonic, but the sound isn’t simple. Minibrute uses a single voltage controlled oscillator to drive 4 different waveforms: sawtooth, square, triangle, and white noise. The first three can be effected with their respective ‘bi-polar’ modulators; Ultrasaw adds a little je ne sais quoi to le sawtooth, Pulse-Width puts the squeeze on the squarewave, and Metallizer changes the harmonics of the triangle. These can be mixed to taste, along with Audio-Input, and a sub-oscillator, which renders some serious fat in the melange.

Arturia Minibrute 2

Next, your sound must be filtered, and Minibrute’s filter is super juicy. Low-pass, high-pass, band pass, and notch options are available. The real treat here is cranking up the resonance to the point of self-oscillation, then tweaking that with the cut-off. Mmm… Delicious… To take your sound totally over the top, turn the Brute knob for extreme destruction.

ADSR amplitude and filter envelopes give everything some more gravy (you can assign positive or negative envelope responses to all parameters.) You can set the range of the pitch bend wheel, mod wheel control, aftertouch, vibrato, and the amount of glide between notes. Add shuddering LFO action to the Pulsewidth/Metallizer, pitch, filter, and amplitude, with a choice of sine, triangle, saw, square, rough or smooth random waveforms. Finally, there is an arpeggiator with a 4 octave range, 4 modes (up, down, up/down, random), 6 time divisions (1/4, 1/8, 1/16, 1/4T, 1/8T, 1/16T), 6 swing settings, tap tempo, and hold. And if that isn’t enough, Minibrute connects with the rest of your studio gear via MIDI, CV, and the aforementioned Audio-Input.

Arturia Minibrute 3

Arturia has truly managed to stuff a beast of a synth into a small package. Minibrute delivers a robust sound with fiercely unique attributes, and a bass response that will kick you in the pants. Take a listen to this demo, and make sure you are using headphones or speakers with some sub to hear what I’m talking about.